Tjawina Porter Nampitjinpa
Tjawina Porter Nampitjinpa
1950 (Yumara, Western Australia)
Nationality: Australian
Language group: Pintupi
1950 (Yumara, Western Australia)
Nationality: Australian
Language group: Pintupi
biography
Tjawina Porter Nampitjinpa was born at Yumara, North of the Docker River in Western Australia around 1950. She is a half sister to Nyurapayia Nampitjinpa (Mrs Bennett) and full sister to Esther Giles Nampitjinpa, both important artists.
Tjawina grew up ‘in the bush’ with her family. After her younger brother died, her family decided to move to the then newly established government settlement of Papunya. Tjawina is now a widow and has returned to live in her country with family members including her sister Esther Giles Nampitjinpa and half sister Nyurapayia Nampitjinpa (Mrs Bennett).
Tjawina was known for her skills as a traditional basket weaver before she rose to prominence as a painter. Tjawina paints her mother’s and her father’s Dreamings referring to the sites of Yumari, Pangkupirri, Tjukurla and Tjalili. These sites are important for ceremonies and as sources for water and important bush foods. She mainly uses a thickly layered style with a palette of predominantly whites, creams, browns and pastels. Recently she has moved into a new direction, employing a more refined style, creating epic landscapes built up with exquisite dot work. Next to being a gifted painter, Tjawina still occasionally weaves baskets and is also a carver of note.
Tjawina grew up ‘in the bush’ with her family. After her younger brother died, her family decided to move to the then newly established government settlement of Papunya. Tjawina is now a widow and has returned to live in her country with family members including her sister Esther Giles Nampitjinpa and half sister Nyurapayia Nampitjinpa (Mrs Bennett).
Tjawina was known for her skills as a traditional basket weaver before she rose to prominence as a painter. Tjawina paints her mother’s and her father’s Dreamings referring to the sites of Yumari, Pangkupirri, Tjukurla and Tjalili. These sites are important for ceremonies and as sources for water and important bush foods. She mainly uses a thickly layered style with a palette of predominantly whites, creams, browns and pastels. Recently she has moved into a new direction, employing a more refined style, creating epic landscapes built up with exquisite dot work. Next to being a gifted painter, Tjawina still occasionally weaves baskets and is also a carver of note.
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